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  CHARLES B. ORTNER    
Phone 212.969.3990
cortner@proskauer.com
 
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Picture of CHARLES B. ORTNER

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In The News
Power Lawyers 2007 – The Top 100 Outside Counsel
Legal Eagles In Rare Mingle
Industry, P2Ps Seek Solutions

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"Good Times" for Chic: Court Protects Domestic Trademark by Enjoining Infringing Musical Performances Abroad

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Proskauer Rose Widely Recognized in 2008 Chambers USA
Proskauer Rose Announces 83 Lawyers Ranked Among City's Best In New York Super Lawyers
Charles Ortner of Proskauer Rose Named One of Hollywood Reporter's Top 100 " Power Lawyers"

Speaking Engagements
UCLA Graduate School, Department of Musicology

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New York Office:
1585 Broadway
Fax 212.969.2900

Practice Areas:
Copyright
Intellectual Property
Entertainment, Media, Information & Technology
Privacy
Entertainment
Education:
BROOKLYN LAW SCHOOL, J.D., 1971
WASHINGTON UNIVERSITY, A.B., 1967
 
Bar Admission:
03/22/1972 NEW YORK
 
Court Admissions:
1972 U.S. COURT OF APPEALS, SECOND CIRCUIT
1972 U.S. COURT OF APPEALS, NINTH CIRCUIT
1973 U.S. DISTRICT COURT, NEW YORK, EASTERN DISTRICT
1973 U.S. DISTRICT COURT, NEW YORK, SOUTHERN DISTRICT
1994 U.S. COURT OF APPEALS, THIRD CIRCUIT
1997 U.S. COURT OF APPEALS, FIFTH CIRCUIT
2005 SUPREME COURT OF THE UNITED STATES
 
Biography:

Charles B. Ortner, a partner in the Firm's Litigation and Dispute Resolution Department in New York, focuses his practice on the entertainment and media industries. The matters which Mr. Ortner has handled, as a litigator or as a counselor and strategic advisor, cover virtually the entire entertainment and media legal and business landscapes, including: copyright, trademark, false advertising and unfair competition; contract disputes; libel and slander; privacy; internal corporate investigations; defense of class actions; senior executive contract negotiations and terminations; securities law litigation; and significant business transactions, including mergers and catalogue acquisitions. Mr. Ortner also is the National Legal Counsel to the National Academy of Recording Arts & Sciences, Inc. (the GRAMMY® Award organization).

Mr. Ortner has represented many of the world's most successful recording artists (including Madonna, Shania Twain, Michael Jackson, Sting, The Police, Janet Jackson, Green Day, The Eagles, Bon Jovi, Bonnie Raitt, Trent Reznor/Nine Inch Nails, Sean "Diddy" Combs, Lynyrd Skynyrd, Maroon 5, Joss Stone, My Chemical Romance, Matisyahu, Cyndi Lauper, Whitney Houston, Meat Loaf, Collective Soul, Lauryn Hill and Rob Thomas/Matchbox 20); renowned record producers (including Phil Ramone, Rick Rubin and Kenny "Babyface" Edmonds); and leading entertainment industry executives and entrepreneurs including Jimmy Iovine, Chris Blackwell, Russell Simmons, Robert Sillerman and Antonio "LA" Reid".

Among the landmark entertainment industry cases Mr. Ortner has handled are:

  • Humphrey v. Def Jam and CBS Records, a copyright case in which the plaintiff, relying upon voiceprint technology, falsely claimed that his voice was the voice of the rap superstar L.L. Cool J on the hit album, "Radio". At the trial, the court dismissed the complaint; imposed monetary sanctions against the plaintiff's attorneys; and cancelled the plaintiff's fraudulent copyright registration.

  • Island Records v. SST Records, in which Island Records obtained a copyright and Lanham Trademark Act injunction and seizure of infringing goods against a record company which was distributing a purported parody album. The defendant's album packaging deceptively created the appearance that its album was a genuine U2 album.

  • Sanga Music v. EMI Music Publishing and Reprise Records, in which the District Court granted, and the Second Circuit affirmed, summary judgment dismissing a copyright infringement lawsuit arising out of the recording by Enya of the song, "How Can I Keep From Singing" in the hit album, "Shepherd's Moon". The defendants demonstrated that nearly 40 years before the lawsuit, the plaintiff songwriter had allowed her composition to enter the public domain by authorizing a friend to publish the song, without a copyright notice, in an obscure folk song periodical.

  • Mark Onofrio v. Trent Reznor, Nine Inch Nails and Interscope Records, in which the Ninth Circuit Court of Appeals affirmed the grant of summary judgment dismissing copyright claims involving five songs on the hit album, Downward Spiral, and awarded the defendants their prevailing party attorneys' fees under the Copyright Act.

  • PolyGram v. Glotzer and Benjamin, in which the court sustained PolyGram's complaint alleging claims under the antifraud provisions of the Securities Exchange Act of 1934 in a dispute concerning PolyGram's investment in a privately held video distribution venture.

  • Sylvester v. RCA Records, et al., a class action against the four largest record companies, in which the court dismissed the complaint seeking a declaratory judgment that the digital and other new media exploitation rights belonged to virtually every recording artist who had ever recorded for a major label.

  • Dan Brown, Random House, Sony Pictures, et al. v. Lewis Purdue, in which the U.S. District Court, 2nd Circuit Court of Appeals and U.S. Supreme Court dismissed a copyright infringement lawsuit which sought, among other things, to enjoin the release and distribution of the “Da Vinci Code” motion picture.

  • MGM v. Grokster, in which we filed amicus briefs on behalf of The Recording Academy, the Recording Artists’ Coalition and over fifty leading recording artists, successfully arguing that the Grokster and similar on-line music sharing systems were engaged in massive copyright infringement.

  • Jacques Agnant vs. Estate of Tupac Shakur, Interscope Records, et al., in which the U.S. District Court granted Summary Judgment dismissing plaintiff’s libel claims based on the content of a recording by Tupac Shakur.

Mr. Ortner has been an invited speaker at bar association and continuing legal education programs, law school classes and seminars throughout the United States, including Harvard Law School, Stanford Law School, Georgetown University Law Center, Columbia University School of Business, Boston University School of Law and the Annenberg Foundation.

Mr. Ortner served as an aide to John V. Lindsay, Mayor of the City of New York, and as an assistant to Whitney North Seymour, Jr., United States Attorney for the Southern District of New York. He has served as an officer of various committees of the American Bar Association and the New York City Bar Association and was appointed by the President of the New York State Bar Association to a special committee on reform of the New York State Legislature. Mr. Ortner is a member of the SoundExchange Artist Advisory Board, a member of the executive committee and the board of trustees of the Multiple Myeloma Research Foundation, and served as counsel to MusiCares, Inc., a charity devoted to providing assistance to indigent, aged and infirm members of the music community. Mr. Ortner is also president of the Kanye West Foundation which supports educational initiatives.

Mr. Ortner was listed in The Best Lawyers in America 2005, 2006, 2007 and 2008 for Entertainment Law; in Chambers USA 2005, 2006 and 2007 for Media and Entertainment Law; Expert Guides to the World’s Leading Lawyers for Technology, Media and Telecommunications Law; New York Super Lawyers 2006 and 2007 for Entertainment and Sports Law; and in Lawdragon 3000 as one of the leading lawyers in the United States. Mr. Ortner was also named by The Hollywood Reporter as one of 100 "Power Lawyers" in the entertainment industry.

Mr. Ortner is admitted to practice in New York State, and in the United States Supreme Court, the United States Court of Appeals for the Second, Third and Ninth Circuits, and the United States District Courts for the Southern District and Eastern District of New York.

Mr. Ortner received his A.B. degree from Washington University in St. Louis, and his J.D. degree from Brooklyn Law School.

 
   
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